TINKARA – Album “Cuori Di Ossigeno”

 

 

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Album Cuori Di Ossigeno”

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Tinkara – Album Cuori Di Ossigeno in Itunes

The new Italian Pop by a great vocalist

Amil Smith and Bobby Solo were last week joined forces, and together they recorded a new song entitled La cura è vivere, which will be in English and Italian version of the new album. Tinkara and at the invitation of producer Albert Zeppieri, which is a great vocal recognize Tinkara Filming took place in the intimate ambience of the Studio Videmskega Angel’s Wings in the middle of Friuli-Venezia Giulia. Bobby concedes that he looking forward to cooperation with the great vocalists who can njegovomu work give this something fresh. Further stressed the importance of the process of musical creation: all the musicians we’re too subordinate to modern technologies that allow us to bring discovery options is the completeness of our songs. Still I swear on spontaneous creative moments when the music is born out of emotion. Address Tinkarinih new albums, the first will be in English and the other in Italian, for now, remain another mystery! After the excitement of producer Albert Zeppierija over the Italian version of the Mars and Venus, tracks, however, during this period for the Italian market promises to be another single Marte e Venere.

Tinkara – Marte E Venere in YouTube

Tinkara is a musician, singer, composer, author and professional flutist, who lives in Ljubljana (Slovenia). After her first single “Veter z juga (South Wind)”, Tinkara recorded two albums and in 2001 signed a contract with Dallas Records for three more studio albums. One of them (O-range) has been published as an international version in Italy (EMI) and Croatia.

In 2004, the Italian producer Alberto Zeppieri published with her “ENIGMA”: a special project in four languages, a co-operation between the Friulian record label “Numar Un” and Dallas (EMI).

Since then she has released an album every year, on average.

Tinkara has held more than 800 concerts in Slovenia, Croatia, Austria and Italy. In her opinion, her most important international collaborations on stage or in the studio were with Ian Anderson (Jethro Tull), Robert Plant (Led Zeppelin), Carlos Nuñez, Dan Lavery, Paul Millns, the Hellenic Kaiti Garbi and the Italians Massimo Bubola, Bungaro, Gino Santercole and Bobby Solo.

Tinkara has received numerous awards, among which: two times first prize “Melodies of the Sea and Sun Festival” – 1977 and 2013 – in Portoroz (Slovenia); 8 gold Roosters in 1998, disks of gold and / or platinum for all her albums; in 1999 she was runner-up in the Eurovision song contest pre-selection in Slovenia; the best song and best video-clips to the London MP3 Now TV in 2000, and her original song “Reason Why” was among the top ten in the competition ISC 2003.

On 8 May 2014, in Copenhagen, she represented Slovenia in the “Eurosong Contest”, reaching the finals.

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Masaé GIMBAYASHI-BARBOTTE バルボット成江 Album “La lune”

La lune Masaé Gimbayashi Barbotte

Album La lune”

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Masae Gimbayashi-Barbotte – La lune on Itunes

A Lunar travel from Masaé

Masaé Gimbayashi-Barbotte has selected 21 classical and contemporary works inspired by the lunar landscape.

Her interpretation, both poetic and particular, is due to its (Japanese) origin.

The picturesque music of Masaé Gimbayashi-Barbotte will surely take you on beautiful night walks.

Masaé Gimbayashi-Barbotte a sélectionné 21 oeuvres classiques et contemporaines qui s’inspirent du paysage lunaire.

Son interprétation, à la fois poétique et particulière, est due à son origine (japonaise).

La musique pittoresque de Masaé Gimbayashi-Barbotte vous emmènera à coup sûr dans de belles promenades nocturnes.

Masae Gimbayashi-Barbotte – La lune in YouTube

Masae Gimbayashi-Barbotte in Concert

  • 26 Mars Ecole de Musique du Pays de Bray – Cournay en Bray
  • 9 Avril au Theatre de l’Ile Saint Louis a Paris – Concert duo Aviani & Gimbayashi-Barbotte.
  • 15 Avril a Ma Nature a Senlis – Concert duo Helias & Gimbayashi-Barbotte
  • 13 Mai au Theatre de l’Ile Saint Louis a Paris – Concert duo Aviani & Gimbayashi-Barbotte.
  • 24 Juin au Festival des clochers a Clermont (Oise) – Concert duo Helias & Gimbayashi-Barbotte

Masaé Gimbayashi-Barbotte, pianiste concertiste

Masaé Gimbayashi-Barbotte commence le piano classique à l’âge de 5 ans.
Après avoir obtenu sa Maîtrise és sciences humaines (Bachelor of Arts degree, spécialisée de la litterature française) à l’International Christian University au Japon, elle a obtenu le Diplôme d’Enseignement de Piano, à l’unanimité avec les félicitations du jury à l’Ecole Normale de Musique de Paris/Alfred Cortot.

Lauréate du Premier Prix du Concours Madeleine de Valmalete à l’unanimité avec les félicitations du jury, du prix belge de l’Académie Européenne des Arts, du prix d’Excellence de l’Asia Classical Music Concert (Japon), titulaire de Diplôme d’Etat française de professeur de piano.
Perfectionnée auprès de Jay Gottlieb, ancien disciple de Nadia Boulanger et de Robert Casadesus. Elle a en outre travaillé avec les pianistes Serge Petitgirard, Victoria Melki, Shizuko Stienne, Hatsué Takano.  Elle a reçu également des conseils de Yvonne Loriod, Claude Helfer, Martial Solal, Catherine Collard, Dominique Merlet.

Masaé se produit régulièrement en France et au Japon, et à l’étranger. Elle est invitée aux festivals comme Normandie impressionniste, Festival International Albert Roussel, 150e anniversaire de l’ouverture du port de Yokohama au Japon, 150e anniversaire de relations amicales franco-japonaises à Paris et à Yokohama, Festival jazz Bray Normand…

Trois albums live témoignent ses récitals (Soleil Music Agency). Son 1er album solo ‘La Lune’ est sorti en octobre 2016.

Elle est créatrice et dédicatrice des oeuvres de Fumio Yasuda, Michel Bosc, Serge Ollive, Nickos Harizanos, Andrew Baldwin, Christian Tournay, Ittetsu Shimizu et Damien Deshayes.

La tournée en duo avec un pianiste jazz de NY en 2014 a été en succès à NY, Paris, en Seine-Maritime, Kobé, Kyoto, Tokyo..

Elle continue ses voyages musicaux en soliste et en chambriste.

Masaé enseigne dans l’Oise et en Seine-Maritime. Elle a été membre du jury du concours de piano «Pianoopen» à Mérignac, et de l’Enkor international competition, concours Clé d’Or, membre de Fédération de musiciens au Japon.

« Éblouissant concert – Elle explore à merveille la variété et la richesse de l’instrument. Un pur bonheur pour le public qui la rappelle encore et encore. (Le Dauphiné Libéré, France)»

« Une nouvelle phase de la musique pour le piano a été montrée (revue Chopin, Japon)»

« Une sonorité éclatante, des sons beaux comme des bijoux se dégagent… (Ongaku GendaiJapon) »

« C’était un concert où elle a marqué par son attitude, où il ne s’agissait pas d’une approche branchée mais d’une compréhension profonde, de son désir intense de musique, à travers son sens de l’harmonie Ravélienne ou son développement Stravinskien ou de ses accents jazzys, ses aspects du temps réel, du silence dans «In a landscape» de Cage, évoquant même Satie.» (Musicanova, Japon)

« Elle possède la capacité d’emmagasiner et de conjuguer des cosmos divers et d’en faire la magie. Elle est une vraie artiste. Je la recommande sans hésitation.»  (Jay Gottlieb, pianiste concertiste)

” Une pianiste exceptionnelle” (Karine Lemoine, peintre)

CD Digital & Physical in Amazon

Cd Digital & Physical in Amazon

 

JAMAIS CONTENTE (MISS IMPOSSIBLE) (Original Motion Picture Soundtrack)

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Album Jamais Contente” (Miss Impossible)

Original Motion Picture Soundtrack

Digital Distribution & Physical Distribution

Label Plaza Mayor Company Ltd

The Orchard.

“Jamais Contente” (Original Motion Picture Soundtrack) in Itunes

Orignal Motion Picture Soundtrack

Composed and performed by Olivier Mellano

Feat. Da Chick – Dogg Master – Holy Ghost – MellaNoisEscape – Black Rebel Motorcycle Club

JAMAIS CONTENTE

“Mon père est atroce, ma mère est atroce, mes sœurs aussi, et moi je suis la pire de tous. En plus, je m’appelle Aurore. Les profs me haïssent, j’avais une copine mais j’en ai plus, et mes parents rêvent de m’envoyer en pension pour se débarrasser de moi. Je pourrais me réfugier dans mon groupe de rock, si seulement ils ne voulaient pas m’obliger à chanter devant des gens. A ce point-là de détestation, on devrait me filer une médaille. Franchement, quelle fille de treize ans est aussi atrocement malheureuse que moi ? »

Réalisation : Emilie Deleuze
Production : Patrick Sobelman
Société : AGAT FILMS & CIE
Coproducteur : Ad Vitam

Interprètes principaux : Léna MAGNIEN, Patricia MAZUY, Philippe DUQUESNE, Catherine HIEGEL, Alex LUTZ

“Jamais Contente” (Original Motion Picture Soundtrack) in YouTube

1 Jamais contente Olivier Mellano
2 Christmas kraut Olivier Mellano
3 L’amourette Olivier Mellano
4 Orage Olivier Mellano
5 Le clash Olivier Mellano
6 L’amourette 2 Olivier Mellano
7 La multiplication Olivier Mellano
8 Fumasse Olivier Mellano
9 Miss Impossible Olivier Mellano
10 Sea of noise Olivier Mellano feat. Mella Nois Escape
11 Christmas brings Dick Walter
12 Coktail Da Chick
13 Do It Again Holy Ghost
14 Real playaz Dogg Master feat. Mnmsta of Foesum
15 Hate the Taste Black Rebel Motorcycle Club
16 Beat the Devil’s Tatoo Black Rebel Motorcycle Club

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“Jamais Contente” (Original Motion Picture Soundtrack) in Amazon

PIONEER – 先锋之那时青春 (Original Motion Picture Soundtrack) Composed and Performed by Liu Ye (Jiageng Liu) – 刘晔(刘佳庚)

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Album Pioneer (Original Motion Picture Soundtrack)”

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Label Plaza Mayor Company ltd

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Pioneer (Original Motion Picture Soundtrack) in Itunes

Director: Taotao Wang王涛涛

Composed and Performed by Liu Ye (Jiageng Liu)刘晔(刘佳庚)

Then the pioneer youth is in 2016 by China Radio, film and television Publishing House, the Guizhou Provincial Party Committee propaganda Department, radio and television, Beijing Jingwei star movie-media limited, kaichuang TV media company, Shanghai Cheng Xing culture dissemination limited company jointly produced the drama of war. The film directed by Wang Taotao, Tang served as art director and executive producer of Wu Pinru, Ma Xueyang, and Zhang Yuan, Liu Zhoucheng, and Xu Xiao, and Guo Ketong, and starring Gao Jian, Wang shuai, Min Jian, daitingrui etc.

Film about the Red Army during the long March, sent a team of investigation in order to detect enemy intelligence unit in the war front line fighting with the enemy fight, capturing information, helping Red Army troops fighting for the valuable information and time, completing the reds two Zunyi, won the Lou Shan Guan great victory.

Pioneer (Original Motion Picture Soundtrack) in YouTue

01.Memories of the War – 毛主席关于战争的回忆
02.Bloody fighting – 惨烈的战斗
03.Mobilization before leave – 出发前的动员
04.A long way ahead – 艰难前行
5.A wild tiger – 荒山路遇野虎
6.Scheme – 阴谋
7.Sweet old time – 宋祁的幸福回忆
8.Rescue – 解救遇险的同志
9.Out of danger – 脱险同志的回忆
10.Xiaotanzi being lost – 小坛子下落不明
11.In disguise – 乔装进入敌统区
12.Humor- 幽默
13.Outwit – 智取情报成功
14.The beautiful future -畅想幸福未来
15.The faked information -惊闻情报被作假
16.Break through – 寺庙突围
17.On oath – 誓死宣言
18.Being ambushed – 进城被伏击
19.The final battle – 最后的决斗
20. Triumph at Loushan Pass – 娄山关大捷
21. Theme song”The original faith” – 主题曲《最初的信仰》
22. The animated titles -片头动画

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Pioneer (Original Motion Picture Soundtrack) in Spotify

 

 

INJIB KIM – Album Ep “Musiqa” Jazz Fusion from South Korea

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Album Ep MUSIQA”

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InJib Kim’s First Album – ‘MUSIQA*

Collaboration of World Music and Fusion Jazz! From South Korea

All composed by InJib Kim

Guitars and all synth solos(synth guitar) by InJib Kim

EVI on “Road to Home” by John Swana

Bass Guitar(track 1,2,3,4) by Muti Jeong

Piano & Keyboard (track 1,2,3,4) by YuJin Lim

Drums (track 1,2,4) by YunSang Lee

Percussions (track 1,2,3,4) by SungIl Lee

Design by JiMin Jeong (New York, NY)

All mixed by Jin Jeong

Masterd by NamWoo Kwon (JFS mastering Studio)

Produced by InJib Kim

Injib Kim Ep Musiqa in YouTube

1 – Night Party in the Desert

2 – Road to Home (feat. John Swana)

3 – The Fall #2

4 – Movement

Cd Digital available

Injib Kim Ep Musiqa in Amazon

LA JEUNE FILLE SANS MAINS / THE GIRL WITHOUT HANDS (Original Motion Picture Soundtrack)Music Olivier Mellano

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Album La jeune fille sans mains / The Girl Without Hands” Original Motion Picture Soundtrack

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Label Plaza Mayor Company ltd

The Orchard.

Cesar – Nominee Categorie Meilleur Film d’Animation.

La jeune fille sans mains (Original Motion Picture Soundtrack) in Itunes

En des temps difficiles, un meunier vend sa fille au Diable. Protégée par sa pureté, elle lui échappe mais est privée de ses mains. Cheminant loin de sa famille, elle rencontre la déesse de l’eau, un doux jardinier et le prince en son château. Un long périple vers la lumière…

La Jeune Fille sans mains raconte la trajectoire d’une jeune fille dans la nature, qui passe de l’état d’adolescente pour devenir une princesse, et finalement être une femme, entière. Il y est question de son corps qui vit et palpite, mais aussi de forêts, de rivière, de montagne, de plantes, de graines… Tout est dessiné sur papier, au pinceau. On sent la trace, le grain du papier. La musique d’Olivier Mellano, je l’ai voulue en contrepoint de cet aspect naturel, je l’ai souhaité électrique, contemporaine, a priori loin de l’univers du conte. Olivier, par sa musique, permet un dialogue avec les images et les situations.

Sebastien LAUDENBACH

Director

La jeune fille sans mains (Original Motion Picture Soundtrack) in YouTube

De 7 à 77 ans

En donnant forme à ce conte cruel avec fin heureuse, Sébastien Laudenbach a cherché à faire un film d’animation qui s’adresse à tous : “Les thèmes : le corps, l’émancipation et l’amour sont des choses qui intéressent les enfants. Ils n’ont pas de jugement moral. Et si ils ont peur du diable, le sang ne les effraie pas. Ils ne sont pas choqués non plus par la nudité. Tout est dessiné, rien n’est vrai, on est dans la métaphore. Les enfants le ressentent, les adultes le comprennent.”

Un conte fort et cruel

Le film d’animation de Sébastien Laudenbach est une adaptation moderne du conte des frères Grimm. A la lecture de ce dernier, le metteur en scène a tout de suite été saisi par la trajectoire de cette jeune fille qui, privée de ses capacités d’action, doit prendre sa vie en main.

LA JEUNE FILLE SANS MAIN Music Soundtrack – Track List

1 – Génerique de début – Le lavoir

2 – La rivière d’or

3 – Première apparition du diable

4 – Elle suit la rivière

5 – La maison de l’ermite, son propre jardin 1

6 – L’absence du prince

7 – Le poirier – La déesse de la rivière

8 – Le départ de la jeune fille

9 – La poire_vas, manger et vis

10 – Seconde apparition du diable – Mort de la mère

11 – Je t’offrirai tout – Le mariage

12 – La lettre

13 – La nouvelle maison

14 – Le prince remonte la rivière

15 – La maison de l’ermite, son propre jardin 2

16 – Le diable 3

17 – La jeune fille, l’enfant et le jardin s’épanouissent – Le prince les cherche

18 – La rencontre

19 – Le prince trouve les os de la jeune fille

20 – Les retrouvailles

21 – Wild Girl feat. Leatitia Sheriff

22 – Diable 4

Composed and performed by Olivier Mellano

except “Wild Girl”: Sébastien Laudenbach / Olivier Mellano – feat. Laetitia Shériff

Recording and Mix by Nico Sacco – Studio Caverne (Paris)

Voice recording “Wild Girl” by Thomas Poli -Studio Impersonal Freedom (Rennes)

Executive producer: Les Films Sauvages

www.oliviermellano.com

Cd Digital & Physical available

La jeune fille sans mains (Original Motion Picture Soundtrack) in Amazon

MICHALIS ANDRONIKOU – “The Norlander” (Original Motion Picture Soundtrack)

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Album The Northlander” Original Motion Picture Soundtrack

Digital Distribution & Physical Distribution

Label Plaza Mayor Company ltd

The Orchard.

The Northlander (Original Motion Picture Soundtrack) in Itunes

Michalis Andronikou

The Northlander (2016)

        The music of The Northlander was based on two components; the need to reflect the sense of the rebirth or the recovery of the planet with the dawn of a new age on earth, and the spontaneous reaction from each moment of the film. Digging into the moment with the use of improvisation, allowed me to discover the emotion and the character of the film, shaping the sound of a “new world,” which carries memories and influences but –at the same time– it is “new” and “unheard.” Although this meta-music may sometimes give the impression of incidental sounds, and some other times may sound like repetitive minimal patterns, it is in fact an impulsive, gestural music construction, which aims on liberating the audience from any sound convention that would predetermine the audience’s perception. In a way, the year 2961, after humanity and nature has recovered the land, is the time when sound and music are being rediscovered, following the search of Cygnus, for an answer for his people and his real identity.

The Northlander (Original Motion Picture Soundtrack) in YouTube

In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to protect his people. He travels across a desert valley to protect his tribe against a band of Heretics. Cygnus must find a way for his tribe to survive.

THE NORTHLANDER Music Soundtrack Track List

 

1 – The Northlander Theme

2 – Cygnus’ Journey

3 – Lurking Ambush

4 – Fast Choice

5 – Stories From The Past

6 – A Past Era

7 – Whispers of Before

8 – A Promise to Keep

9 – An Old Foe

10 – Sound of War

11 – Answers

12 – A Little Dream

13 – Fatal Destiny

14 – Awakening

Cd Digital & Physical available

The Northlander (Original Motion Picture Soundtrack) in Amazon

 

PHIL MOSSMAN – “EMELIE” (Original Motion Picture Soundtrack)

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Album Emelie”Original Motion Picture Soundtrack

Digital Distribution & Physical Distribution

Label Plaza Mayor Company ltd

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PHIL MOSSMAN

A prolific film composer, Phil has scored thirteen full lenght features including a slew of Sundance hits such as Mike Cahill’s “Another Earht”, and “Iorigins”, Jim Mickel’s “We Are What We Are”, Jon Watts’ “Cop Car”, staring Kevin Bacon, Michael Thelin’s, and most recently the Netflix original, “Mercy”.

Phil Mossman – Emelie music soundtrack in Itunes

EMELIE soundtrack LINER NOTES

Abduction:

This track sets the mood right away without even seeing a frame. Ominous was the key tone I wanted to hit and Mossman’s score nails it. We spoke at length about how we wanted to approach the music and it was important to me that is feel original yet familiar. That may appear counterintuitive but I always felt the music had to be the heart beat of this film; something you felt but never noticed.  We don’t know when our heart beats but we all know it’s there and we need it to function. That is how we approached the score of “Emelie”.

Opening Theme:

This track embodies the film in its short run time. It continues to set the tone but also allows the audience to know that there is hope. The end really was important that we give the viewer the idea that no matter how dark this might get there is a light at the end of the tunnel.

Leaving:

The simplicity of this track is what really reflects what is going on in the film. It is normalcy to leave your kids with the sitter and head to your big night out. But even in the simplicity of the score there is still something there that doesn’t quite feel right. Pitch perfect for this area of the film.

Your Parents/Sally Stop:

What a positive beginning! Seems promising right? Then those piano hits come in and make it feel so uneasy. Again, Mossman nails the setting with his attention to detail.

The Box:

Right from the start of this track it feels like you have fallen into the depths of who knows where. The feeling of potential danger and helplessness seeps through the pores at every turn. Mossman’s detailed handling of going from one sound to the next, as well as the mix, really helps this land.

You Found Me:

The bizarre sounds that are emoted from the start of this track really underline a feeling of calm, in an almost hypnotic nature, while still alluding to the uneasiness of what is to come.

Snake and Mouse:

The impending doom that is reflected from the very disjointed sounds of this track really embody the confusing nature of the scene for our protagonist.

Book of Little Cubbie/No Real Babysitter:

The start of the track really draws you in as if this was going to be a lullaby but then something goes horribly wrong. Its hard to listen to at times because it cuts deep, like the scene should, with the viewer. A great mix of instruments, which flow in and out, always keep you guessing as to what is next.

Give Mommy The Gun/This is What Happens:

The droning from these tracks mixed with the piano really helps tell the story of desperation that is mixed up with a softer touch at the core.

Maggie Don’t Go/Dragging Maggie:

The sound travels in the mix so well that its almost impossible to see any of piece of music working during this pivotal part of the film. In the protagonist mind this is it; if this person can’t help him then no one can. The helplessness that is reflected from these sounds are pitch perfect.

Blue Drink/Time For Sleep:

The tranquil nature of these tracks makes it easy to imagine what our Babysitter has in mind. The subtlety to which these tracks emote this feeling is my favorite part. Mossman nails the scene without ever going overboard.

Call Home/Cut The Power:

The sounds and noises that make up these tracks don’t come from just instruments. Mossman was able to use his literal environment, a basement in Dumbo, to form these tracks.

Maggie Awakes:

Maybe one of my favorite tracks as it has so many layers that really embody the picture during this area of the film. It has a sense of energy that is very understated which fits the characters and this area of the film precisely. I could listen to this track on repeat and it would mean something different each time.

Broken Arm/Crash Site:

This track sounds like it was made from a different planet.  It has so many different area that all come together well. The build in intensity that just drops out really reflects a lot of what we tried to accomplish with the picture.

Fire Crackers/Sitter Not Picking Up/Escape:

Im not sure what was used to make these sounds but it makes me feel like we are hearing the heartbeat of our young protagonist.  It ends with an uneasy calm that never lets you get comfortable. Mossman reaches deep into his arsenal to pull this all together.

Emelie End Theme:

Very much like coming full circle, this track has a similar vibe to our start but there is a clear difference. Something has changed, as it has in our little hero and things will never be the same. This was one of the toughest sounds to get right and Mossman really took inspiration from the slow motion, which was the only time it was used in the film, and was able to nail the end by coming full circle with this boy’s arc.  Well done Sir!!

Phil Mossman – Emelie music soundtrack in YouTube

New Cd in Digital and in Physical available

Phil Mosssman – Emelie music soundtrack – Digital & Physical in Amazon

 

 

Isa Somparé – Album “ Rouge a reve”

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New Cd Digital & Physical

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Isa Sompare in Itunes

Isa Somparé … Du Smooth qui groove !

Auteur, compositeur, interprète, Isa Somparé produit et réalise aujourd’hui son premier EP  « Rouge à Rêve ».

Son style le classe dans la catégorie pop française. Fille de Gainsbourg et de Barbara, l’écriture en est à la fois légère et profonde, et la musique est un mix : La tradition du jazz synthétisée façon french touch… Le groove de la musique black allié à la délicatesse de l’électro pop française.

Un son  frais et moderne, de vraies mélodies, et des paroles, qui sont loin de n’être qu’un prétexte.

Découvrez « Rouge à Rêve » son premier EP

Isa Somparé… The smoothy groove!

Isa Somparé is a songwriter. Today she’s producing her first album titled “Rouge à Rêve”

Her style is definitely French pop. An evident heiress to Serge Gainsbourg and Barbara, two famous French songwriters and singers. Isa’s writing is both soft and profound, and her music is a mix between jazz tradition and French touch… Black music with its groove married with the subtlety of Chanson française.

Fresh sounding, real melodies, and sensitive lyrics that are far from being the sideshow.

Discover “Rouge a Rêve” her first album Now.

Isa Sompare in YouTube

1 – Comment tu m’vois

2 – Tu m’dis que tu m’aimes

3 – Devil’s Crossroads

4  – Notre histoire

5 – Les rendez vous manques (Erreurs)

6 – Rouge a reve

7 – Comment tu m’vois (feat. Isa) (Extended Mix Dub)

New Cd Digital & Physical

available in Amazon

Isa Sompare Cd Digital & Physical in Amazon

 

 

VINNY CRYME – The Sound Machine Vol.1

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Album The Sound Machine Vol.1

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Label Plaza Mayor Company ltd

Vinny Cryme – The Sound Machine in Itunes

The project Vinny Cryme – The Sound Machine Vol.1 born on the idea of a Buddha Bar and Chill Out experience mixed with blues, funk and mediterranean influences.

This project is really international with a London touch in the production.

Vinny Cryme is a vintage funk / blues guitarist and bass-player coming from Marsala (Sicily), a city near the Egadi Islands and the border of Africa.

So the new ethno vision of Vinny Cryme put together the Italian soul of the extreme south of italy with elements of Africa, mediterranean culture and London hippie ideas of guitars and bass lines.

The project is produced by Dh Thor and Alberto Zeppieri.

Vinny Cryme – The Sound Machine in YouTube

Vinny Cryme – Album “The Sound Machine, Vol.1”

1- Cosmopolitan on the Rocks

2- Automatica – Water Sound Machine Remix

3 – Cryme in Dub

4 – Nuvole & Vento

5 – Enjoy the Sun

6 – Colombo – Buddha Soul Remix

7 – Dub-Ussy – Symphonic Trip Hop Remix

8 – I Still Have a Dream 2.0

9 – Bangkok Soulfull Strings – Chemical Beach Remix

10 – Kiss – Soul Train Mix

11 – Skit at the End / Ghost Track – Club 27

 

Vinny Cryme – Album “The Sound Machine”

Out Now in Cd Digital & Cd Physical

Vinny Cryme – Album “The Sound Machine”