“I AM NOT AN EASY MAN” (Original Motion Picture Soundtrack)

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“I AM NOT AN EASY MAN” (Original Motion Picture Soundtrack)

Director Eleonore Pourriat

Cast: Lucie Leclerc, Vincent Elbaz…

Music composed by Fred Avril

Featuring: Ruppert Pupkin, Shaka Ponk….

Label Plaza Mayor Company Ltd

Distribution The Orchard

I AM NOT EASY MAN (Original Motion Picture Soundtrack) on Itunes

« La musique m’a accompagnée à tous les stades de la fabrication du film. Des morceaux m’ont prêté leur rythme dès l’écriture pour trouver le juste tempo de chaque séquence,

certains sont restés, la reprise de Lo Fang par exemple a conditionné la narration de la scène de club, d’autres, comme Choir de Perfume Genius, se sont imposés au montage,

surgissant comme la voix intérieure des protagonistes, tandis que d’autres encore, comme la chanson de Ruppert Pupkin, Viens, ont été composés spécialement pour le film.

J’ai également voulu jouer avec les codes de la masculinité et de la féminité, en choisissant d’une part des voix d’hommes aiguës et d’autre part un violoncelle, plus grave, belle idée de Fred Avril Magnon pour évoquer le personnage d’ Alexandra. Mais la tonalité commune à tous les moments musicaux du film est leur sensualité. Tout en étant une œuvre très militante, Je ne suis pas un homme facile est une histoire d’amour, et je voulais que la musique originale comme les titres synchronisés, aillent dans ce sens.»

Eléonore Pourriat

 I AM NOT AN EASY MAN (Original Motion Picture Soundtrack) on YouTube

« Music was by my side at each stage of the making of the film. While writing, some tunes helped me find the right tempo of a sequence. Some were kept afterwards, such as Lo Fang’s cover, which dictated the whole club scene. Some, like Choir by Perfume Genius, imposed their own originality, bursting like the interior voices of the protagonists, whereas others, like Ruppert Pupkin’s song, Viens, were composed especially for the film. I also wanted to play with the codes of masculinity and feminity. This is why I chose on one hand high-pitched male voices and on the other hand Fred Avril Magnon proposed a cello, to convey Alexandra’s deeper voice. However, the tone shared by all musical moments, their «key», was their sensuality.

While being a politically committed piece of work, I Am Not an Easy Man is a love story, and I wanted the original score as well as the other songs to convey this mood. »

Eléonore Pourriat

 

« La bande originale du film a été composée à Montmartre, près de Pigalle, précisément là où Je Ne Suis Pas un Homme Facile se termine. L’ expérience de ce film a littéralement changé ma perception de ce quartier en quelques heures – c’était étourdissant. J’avais

d’autres projets mais suis tombé immédiatement amoureux du film et ai décidé d’étirer le temps. Au fil des semaines, j’ai été ravi de travailler souvent main dans la main avec

Éléonore qui était très impliquée dans la musique, ainsi que Pierre-Marie Dru. Dans le score, les guitares plus ou moins aigües (Jazzmaster et Gretsch) accompagnent Damien, alors qu’un cello solo (plus ou moins grave) porte Alexandra jusqu’à la fin. Cette tension entre les deux instruments (et leurs univers respectifs) ont défini le langage de la B.O. »

I AM NOT AN EASY MAN (Original Motion Picture Soundtrack) on Spotify

Fred Avril Magnon a sorti des disques au début des années 2000 et a composé nombre de bandes originales comme Sparrow de Johnnie To, le film suédois Sound of Noise

de Nilsson-Simonsson, le film américain indépendant The Lifeguard de Liz W. Garcia (avec Kristen Bell), la comédie Connasse, Princesse des Coeurs de Noémie Saglio et Eloïse Lang, ou la série d’animation pour adultes Lastman de Jérémie Périn

 

The soundtrack was composed in Montmartre next to Pigalle, where the movie ends. I was amazed how the experience of the movie changed my very perception of the area. I was already busy, but fell in love with the project and worked triple time, often with Eléonore who was truly implicated in the music. Working with her and Pierre-Marie Dru was thrilling : I had never spent that much time with a director besides me IN the studio, and enjoyed every minute of it. In the score, high-pitched guitars (Jazzmaster and Gretsch) accompany Damien and a solo cello carries Alexandra. The tension between both instruments (and their worlds) defined the soundtrack’s language. »

 

Fred Avril Magnon a.k.a. Avril started releasing records in the early 2000´s and has composed for numerous feature films since then. Among them, China’s acclaimed Sparrow directed by Johnnie To, Swedish movie Sound of Noise directed by Nilsson-Simonsson, American independent film The Lifeguard directed by Liz W. Garcia and starring Kristen Bell, French comedy Harry Me ! directed by Noémie Saglio & Eloïse Lang or the adult manga series Lastman, directed by Jérémie Périn.

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SPITFIRE (Original Motion Picture Soundtrack) Music Composed and Performed by Chris ROE

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SPITFIRE (Original Motion Picture Soundtrack)

Music Composed and Performed by Chris ROE

Cd Digital & Cd Physical

Label Plaza Mayor Company Ltd

The Orchard

 SPITFIRE (Original Motion Picture Soundtrack) on Itunes

SPITFIRE (Original Motion Picture Soundtrack)

Director David Fairhead, Ant Palmer

Music Composed and Performed by Chris ROE

Featuring English Session Orchestra

Contracted by Dom Kelly

Assistant Contractor Jojo Arvanitis

Orchestral Leader Patrick Savage

Piano/Organ Chris Roe

 

Recorded at Angel Studios

Recording Engineer – Jeremy Murphy

Pro Tools Assistant – Scott Bradley

 

Mixed and Mastered by John Davies

DDP created by David Jones at SONUS Audio

 SPITFIRE (Original Motion Picture Soundtrack) on YouTube

SPITFIRE is a cinematic, epic, sweeping tale of determination, vision and courage.  It is the story of an aircraft that was forged in competition, shaped as the war clouds gathered and refined in the white heat of combat – going on to become the most famous fighter aircraft ever made.

Credited with changing the course of world history, this is the story of the Spitfire – told personally in the words of the last-surviving combat veterans. Through their recollections, we experience the terror and exhilaration of combat five miles up, the loss of friends and the grim determination to see the job through.

 

The original score by Chris Roe combined with the roar of the famous Merlin engine, creates a rich soundscape for the film. Stays With You Forever, First Flight, and Aerial Ballet reflect the Spitfire’s grace and beauty, Masterpiece and Production Line its ground-breaking design, and 400 Miles Per Hour and Dogfight the deadly speed and agility which the pilots remember so clearly to this day.

 

The score was recorded at Angel Studios. and features some of London’s finest string players from the English Session Orchestra mixed in with orchestral samples from Spitfire Audio.

SPITFIRE Cd Digital & Cd Physical on Amazon

The Alex Hiele Paris Jazz Combo – Album “I Love Paris” A Cole Porter new vision

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The Alex Hiele Paris Jazz Combo

Album “I Love Paris”

A Cole Porter new vision…

Cd Digital & Cd Physical

Label Plaza Mayor Company Ltd

The Orchard

 The Alex Hiele Paris Jazz Combo on Itunes

Alexandre Hiele
Leader arranger and bassist of the group the Alex Hiele Paris Jazz Combo

Alexandre Hiele is born in Paris and has participated in the scene of the Parisian Jazz of the years 90/2000
With Mina Agossi, Marley Chinnery, the Slang Collective, Bruno Angelini and also American musicians, Mark Turner, Georges Brown, Ronnie Paterson, Ted Curson and also Russian such as Alexei Aigues and Japanese, Ichiro Onoe, he regularly frequents the Jam sessions of the time, such as, the Studio of the Islettes, the Fallaises, the vault of the dungeon, the Petit Opportin, and plays in the Parisian clubs regularly, Sunset, Duc des Lombards, New morning, Franc Pineau, the 7 Lizardmen, then turns in Europe, in the states United States and Africa. In 2005, he Emigre in the United States and set up in Philadelphia, he begin his career to zero and played in the Philadelphia and New York clubs as side man now has his own band titled The Alex Hiele Paris Jazz Combo and has just been writing Arrangement on the music of Cole Porter on CD which is called I LOVE PARIS.
His group regularly occurs in the clubs and cultural center of Philadelphia
and its region.

The Alex Hiele Paris Jazz Combo on YouTube

Alexandre Hiele

Leader arrangeur et contrebassiste du groupe The Alex Hiele Paris Jazz Combo

Alexandre Hiele est ne a Paris et a participe a la scene du Jazz Parisien des annees 90/2000

Avec Mina Agossi, Mederic Colignon, Le Collectif Slang, Bruno Angelini et egalement des musiciens americains, Mark Turner, Georges Brown, Ronnie Paterson, Ted Curson et egalement Russe tel que Alexei Aigui et japonais ,Ichiro Onoe ,Il frequente regulierement les Jam sessions de l’epoque, tel que ,Le Studio des Islettes ,Les Fallaises, Le caveau des oubliettes, Le Petit Opportin ,et joue dans les clubs parisiens regulierement, Sunset, Duc Des Lombards, New Morning, Franc Pineau, les 7 Lezards, puis tourne en Europe,  aux Etats Unis et en Afrique .En 2005, il Emigre Aux Etats Unis et a Philadelphie ,Il recommence sa carrière a zéro et joue dans les clubs de Philadelphie et de New York en tant que side man.il a maintenant son propre groupe intitule The Alex Hiele Paris Jazz Combo et viens d’ecrire des arrangement sur la musique de Cole Porter sur cd qui s’appelle I LOVE PARIS.

Son groupe se produit regulierement dans les clubs et centre culturels de Philadelphie

et de sa region,

The Alex Hiele Paris Jazz Combo on Spotify

SONGS

1. LOVE FOR SALE, 5.52″, (Cole Porter) , Steve Rice:Piano,Jim Stagnitto:Trumpet,Alex Hiele:Bass,David Stier:drums
2 .WHAT IS THIS THING CALLED LOVE, 5’01”,(Cole Porter),Steve Rice:Piano
Jim Stagnitto:trumpet,Alex Hiele:bass,David Stier:Drums
3. I’VE GOT YOU UNDER MY SKIN,4’23”,(Cole Porter),Steve Rice:Piano,Jim Stagnitto:Trumpet
Alex Hiele:Bass,David Stier:Drums
4. NIGHT AND DAY,5’48”,(Cole Porter),Steve Rice:Piano,Jim Stagnitto:Trumpet
Alex Hiele:Bass,David Stier:Drums
5. I LOVE YOU, 6’07”,(Cole Porter),Steve Rice:Piano,Jim Stagnitto:Trumpet,Alex Hiele,Bass
David Stier:Drums
6. EVERYTIME WE SAY GOODBYE, 7’25”,(Cole Porter),Steve Rice:Piano,Jim Stagnitto:Trumpet,Alex Hiele:Bass,David Stier:Drums
7. JUST ONE OF THOSE THINGS, 10′”21 ,(Cole Porter),Steve Rice:Piano,Alex Hiele:Bass
David Stier:Drums
8 .I LOVE PARIS 6’16″(Cole Porter) Steve Rice:Piano,Alex Hiele,Bass,David Stier:Drums
9. YOU”D BE SO NICE TO COME HOME TO, 4’10″(Cole Porter)
10. I GET AKICK OUT OF YOU ,5’04”,(Cole Porter) Steve Rice:Piano,Jim Stagnitto:Trumpet,Alex Hiele,Bass
David Stier:Drums

The Alex Hiele Paris Jazz Combo Cd Digital & Cd Physical on Amazon

The “ROKES” – Album “Bella Italia – Welcome back to the Beat Music

 

THE ROKES Album Bella Italia

The “ROKES” – Album “Bella Italia –

Welcome back to the Beat Music

 

 Cd Digital & Cd Physical & Vinyl

Single “Lacrime sul cuore”

Label Plaza Mayor Company Ltd

The Orchard

The Rokes – Album “Bella Italia” on Itunes


“The Rokes” were a successful Italian pop group in the 1960s, composed of English expatriates to Italy, singing in Italian language.
Their most successful songs included “Piangi con Me” (the original version of “Let’s Live for Today” an US hit recorded by The Grass Roots) and “Che Colpa Abbiamo Noi” (an Italian version of “Cheryl’s Going Home” by Bob Lind).
The good news is that “The Rokes” have never stopped writing and they have recently resumed playing, both in recording studio and live.
The italian producer Alberto Zeppieri and the musician Marco Bonino (“Nuovi Angeli”) helped Mike Shepstone and Bobby Posner to write and realize a new album fully with unpublished songs: half lyrics in Italian language and half songs in English, to remember their roots. A great return to the beat music.

The Rokes – Album “Bella Italia” on YouTube

The Rokes – Album “Bella Italia”

  • 01 – Lacrime sul cuore
  • 02 – Bella Italia
  • 03 – Stelle nere su Torino
  • 04 – Sta gia’ venendo il sole
  • 05 – One eyed Betty
  • 06 – Sweet Angel of mine
  • 07 – Polvere
  • 08 – Glorious
  • 09 – Party girl
  • 10 – Un cuore non ha eta’
  • 11 – Santa Barbara
  • 12 – Kandy store
  • 13 – The mission
  • 14 – Una lacrima nera

The Rokes Cd Digital Cd Physical on Amazon

JEAN PAUL DAROUX PROJECT – Album «LA LEGENDE DES 7 SAGES » Un Jazz Pop Melodique

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JEAN PAUL DAROUX PROJECT – Album «LA LEGENDE DES 7 SAGES »

Un Jazz Pop Melodique…

Cd Digital & Cd Physical

Label Plaza Mayor Company Ltd

The Orchard

Jean Paul Daroux – Album “La legende des 7 sages” on Itunes

Le pianiste, compositeur varois Jean-Paul Daroux signe un album résolument

mélodique, conçu comme un storyboard pour le 7ème art. Une musique narrative, raffinée qui sait s’affranchir des styles (jazz, pop/rock, classique ….).

Après les albums « déambulations » et « prélude for a new world » ce troisième opus est la suite logique de ce voyage céleste dans notre imaginaire. Des compositions très inspirées où se mêlent souvenirs d’enfance et évènements plus récents. C’est avec ce regard curieux et interrogatif sur le monde et l’actualité que le pianiste trouve ses sujets d’inspirations ; La conquête spatiale avec « la navette Orion ne répond plus », les attentats de Paris « la danse des crayons » de Nice « une si belle journée d’été », Florence Arthaud « La ronde des hélicos », la chasse à la baleine « dans les brumes de l’Atlantique

nord », plus personnels « né à Gennevilliers » et « libido ad libitum », philosophique et politique « la légende des 7 sages ».

Jean Paul Daroux – Album La legende des 7 sages on YouTube

Pianist, composer Varois Jean-Paul Daroux signs an album resolutely

Melodic, conceived as a storyboard for the 7th art. A narrative, refined music that knows how to free itself from the styles (jazz, pop/rock, classical….).

After the albums “Perambulations” and “Prelude for a New World” This third opus is the logical continuation of this celestial journey in our imaginary. Very inspired compositions where childhood memories and more recent events mingle. It is with this curious and interrogative look at the world and the news that the pianist finds his subjects of inspiration; The space conquest with “the shuttle Orion no longer responds”, the Paris bombings “the Dance of the pencils” of Nice “such a beautiful summer day”, Florence Arthaud “The Round of Choppers”, the whale hunt “in the mists of the Atlantic

North “, more personal” born in Gennevilliers “and” libido ad libitum “, philosophical and political” The Legend of the 7 sages “.

 

C’est en trio avec Jean-Christophe Gautier (contrebasse), Luca Scalambrino

(batterie) que notre pianiste à largué les amarres pour faire route vers ce monde fascinant et surprenant « La légende des 7 sages ».

JEAN TEASER

Né à Gennevilliers dans le 92, il fût, tout petit, intrigué et attiré par cet étrange objet qui trônait dans le salon, le vieux piano familial.

Il commence des études classiques à l’âge de 8 ans avec un professeur particulier , quelques années plus tard il entame un cursus à l’Ecole Normale de Musique de Paris. Satie puis plus tard Debussy.

Titulaire du diplôme d’Etat (DE) de professeur de musique,il est aussi directeur de l’école de musique de Cavalaire sur mer. Il enseigne le piano et dirige les ateliers de musiques actuelles et de jazz. Il est l’organisateur et le concepteur du tremplin rock le « Rockavalaire » qui fêtera sa 14ème édition le 12 mai 2018.

Jean Paul Daroux – Album “La legende des 7 sages” on Spotify

CHARISMATA (Original Motion Picture Soundtrack) Composed and Performed by Chris ROE Director Andy Collier, Toor Mian

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CHARISMATA (Original Motion Picture Soundtrack)

Director Andy Collier, Toor Mian

Cast Sarah Beck Mather, Jamie Satterthwaite

Music composed by Chris ROE

Label Plaza Mayor Company Ltd

The Orchard

CHARISMATA (Original Motion Picture Soundtrack)

FACE YOUR DEMONS…

 

Psychological horror about a police detective whose sanity begins to unravel as she investigates a series of brutal ritualistic murders.

As a rookie detective struggling to find acceptance in a police department defined by a culture of bullying and intolerance, things go from bad to worse when the chief suspect in a series of brutal ritualistic murders takes a personal interest in her. A game of cat and mouse ensues which sees Rebecca’s grasp on reality beginning to spiral out of control, leading to a terrifying climax where she needs to fight for her sanity, her life and maybe even her soul.

CHARISMATA (Original Motion Picture Soundtrack) on YouTube

Chris Roe is a composer based in London, working on a variety of projects and collaborating with some of the UK’s most exciting directors and musicians.

Recent projects include a four-part documentary series for Sky/BBC Storyville, ‘Murder in Italy (Ignoto Uno)’, the award-winning feature documentaries, Death of a Gentleman and Mission Control as well as critically-acclaimed horror film, Charismata. As an arranger/conductor Chris recently worked on a campaign for Cancer Research UK, arranging Vivaldi’s ‘Spring’ for the Royal Philharmonic Orchestra with a third of the notes missing!

With a background ranging from studying composition at the Royal College of Music, exploring electronic/computer music in Paris, to playing keyboard in the ‘Superfly Soul Collective’ Chris’ music covers a range of genres and has been described as “brilliantly unnerving” and “highly energetic”. Chris is represented by SMA Talent.

A keen collaborator, Chris has worked percussionist Joby Burgess on a new piece for vibraphone and the rare ‘aluminium harp’, and is also composer in residence with Front Foot Theatre, as well as founder of ANIMA, an 8-piece ensemble bringing together experimental live music with film.

Listed as one of Sound and Music’s New Voices 2015 as part of the British Music Collection, Chris has been nominated for a British Composer Award 2015 for his orchestral work In Search of Strategy, broadcast on BBC Radio 3. In the film world, Chris’ score for the The Palace, reached the finals of the Peer Raben Award at Soundtrack Cologne, and he was a prize winner in the Oticons International Film Music Competition.

CHARISMATA (Original Motion Picture Soundtrack) on Spotify

REALITE (Pur et Sens) EP by Christina Goh, Nicole Cage, Imaniyé Dalila Daniel

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REALITE (Pur et Sens) EP
Split by Christina Goh, Nicole Cage, Imaniyé Dalila Daniel

Label Plaza Mayor Company

The Orchard

 REALITE Ep on Itunes
Trois performeuses, trois femmes de lettres, trois perspectives sur la notion de réalité en français, créole et anglais. Un opus différent par son approche épurée et littéraire de la musique. Christina Goh, vocaliste et poétesse reconnue à l’international pour ses concepts inédits, invite Imaniyé Dalila Daniel, chanteuse, dramaturge et auteure de bestseller en Martinique et Nicole Cage, chanteuse, éditrice et écrivaine multi primée. Le résultat : une œuvre multidimensionnelle où comptent la voix et le sens.
Three performers, three women of letters, three perspectives on the notion of reality in French, Creole and English. A different opus by its refined and literary approach to music. Christina Goh, vocalist and poet recognized with an international reputation for her innovative concepts, invites Imaniye Dalila Daniel, singer, playwright and author of bestseller in Martinique and Nicole Cage, singer, publisher and multi prize-winning writer. The result: a multidimensional work in which voice and sense matter.

REALITE Ep on YouTube
REALITE (Pur et sens) EP
Tracklist

  1. Réalité by Christina Goh, Imaniyé Dalila Daniel and Nicole Cage
  2. Blues absans (Oswè-a) by Nicole Cage
  3. Dites-moi où by Imaniye Dalila Daniel
  4. Experience by Christina Goh

REALITE Ep on Amazon

GINO SANTERCOLE – Album “Non Sono Celentano” A Italian character…

Gino Santercole

GINO SANTERCOLE

Album Non Sono Celentano”

Digital & Physical CD- Vinyl Distribution

Label Plaza Mayor Company ltd

The Orchard

A Italian character…

 GINO SANTERCOLE – Album “Non sono Celentano” on Itunes

GINO SANTERCOLE is the niece (only 3 years younger) of the very famous singer ADRIANO CELENTANO, grew up together, spending all their youth together, from misery to great success.
Gino wrote the soundtracks of Celentano’s most beautiful films, including “Yuppi du” and the most important Celentano’s songs of the early days – the ones that led him to success – were written by Santercole.

This album of unpublished works contains music composed by Santercole and lyrics written by Alberto Zeppieri (also the creator of the project and producer of the album) and it is clear from the title “Non sono Celentano (Voglio essere me) / I’m not Celentano (I want to be myself)” as the author wishes to reaffirm his personality, without denying the best moments next to an uncle overwhelming personality.
The affection between the two artists is confirmed by the bonuses: great songs by Santercole, brought to success by Celentano and here re proposed by the author with unpublished and elaborate arrangements.

GINO SANTERCOLE – Album “Non sono Celentano” on YouTube

Gino SANTERCOLE – Album “Non sono Celentano” Track List

CERTI GIORNI
SONO COME UN PUGILE SUL RING
SE FOSSI FRANK SINATRA
COME MAI? (Tell Me Why)
AMO SYLVIE VARTAN
IO SO CHI SEI, MELU’
L’AMORE COS’E’?
NON RESISTO PIU’ (Hello, Goodbye)
VOGLIO ESSERE ME
SO CHE POI TU VAI
AMO STARE AL SUD
MELU’ (Sei proprio tu?)
UNA CAREZZA IN UN PUGNO
NESSUNO E’ SOLO MAI
STRAORDINARIAMENTE

GINO SANTERCOLE Cd Digital & Cd Physical & Vinyl on Amazon

MOST BEAUTIFUL ISLAND (Original Motion Picture Soundtrack) Composed and Performed by Jeffery Alan Jones Director Ana Asensio

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MOST BEAUTIFUL ISLAND

(Original Motion Picture Soundtrack)

Composed and Performed by Jeffery Alan Jones

Director Ana Asensio

Digital & Physical Distribution

Label Plaza Mayor Company Ltd

The Orchard

 Most Beautiful Island (Original Motion Picture Soundtrack) on Itunes

Composed and Performed by Jeffery Alan Jones

Published by JAJ Productions, BMI

Recorded at Alan Audio Works, Los Angeles, California

Produced and Mixed by Jeffery Alan Jones

Mastered by Derrick Jenner

Cover Art by Jay Shaw

Special Thanks: Ana Asensio, Craig William Macneil, Noah Greenberg, Jay Shaw, Peter

Phok, Eloisa Diaz, Jacques Dejean, Jeff Castelluccio, Robert Stevens, Edith Hirshtal

Glass Eye Pix, Orion Pictures and Mary Lou Jones

 

Composed and Performed by Jeffery Alan Jones

When I first arrived in New York City, I was overwhelmed by its energy, so much so that

on my first night, standing in Times Square, I experienced my first-ever panic attack. In

“Most Beautiful Island,” I wanted to reflect the harshness of the city that I first perceived

in which there was never a moment of silence. The noise was present day and night,

but somehow, over time, I learned to distinguish sounds within those noises. I began to

hear music, conversations, bells, children’s laughter… each of these phenomena

producing its own different tone and intensity, and striking me differently, depending

upon my emotional state. I remember being unsure sometimes as to what was real and

what was a product of my own mind. This aural wave and the ambiguity of it is precisely

what I wanted the film to re-create and the audience to experience. Jeffery Alan Jones

was able to translate my verbal description of these sensations into a magnificent sound

design and subtle score filled with nuances that blend and take turns, always mindful of

and enhancing the main’s character’s journey throughout the film.

– Ana Asensio

Most Beautiful Island (Original Motion Picture Soundtrack) on YouTube

I was thrilled to work together with Ana on her marvelous film, “Most Beautiful Island.” A

gripping story of choices and chance set in New York City. I love the sounds of the city,

so vast and and so unique from one street to the next. I set out to compose a rich

soundscape of both music and sound that not only underlined the subtext of the

narrative but told a story beneath the story. The music is carefully woven into the

sounds of the city in a manner in which you cannot distinguish the music from the sound

design. The score is intended to be felt, not heard.

– Jeffery Alan Jones

Most Beautiful Island (Original Motion Picture Soundtrack) Cd Digital & Cd Physical

SCIMIA – Ep “AWE” The Intersidereal Ship

pochettescimia piazza 300ppp

SCIMIA – Ep “AWE”

The Intersideral Ship

Digital & Physical Distribution

Label Plaza Mayor Company Ltd

The Orchard

 SCIMIA – Ep AWE on Itunes

Welcome aboard the Intersidereal Ship of Scimia, pilot of a musical company with only instrument on board

An old augmented reality battery (pads and MIDI keyboard).

The music-loving Gorilla embarked on a journey of exploration at the confines of the known electro universe, temporal edition

Included, with Giorgio Moroder as chief mechanic, Charles Darwin as helmsman and Charlton Heston as cook.

The simple desire to push the use of its instrument of and the limits of play offered by its activities in the Rock bands pushed Orso Samson to build a Synthetic universes based on loops, samples and sequences.

The result is festive, dancing, heady.

The first steps of the monkey-drum were made to the rhythm of from C2C and stuntman to drive him today to develop a sound that surfs between Kavinsky, Mr OIzo and Modeselektor.’ Human ‘, the first title published under the nickname Scimia, is the Trigger. Little by little, at the piano or from the butt of strings sound, the canvas takes shape. Title after title, Scimia, its concerts, draw up an overall picture that will be foreshadow a joyful fresco and a festive spirit that already beginning to arouse the desires of features and remixes. A story to follow.

SCIMIA – Ep AWE on YouTube

Bienvenue à bord du vaisseau intersidéral de Scimia, pilote d’une Entreprise musicale avec pour seul instrument de bordune vieille batterie à réalité augmentée (pads et clavier midi).

Le gorille mélomane s’est lancé dans un voyage d’exploration aux confins de l’univers électro connu, dilation temporelle incluse, avec Giorgio Moroder comme chef mécano, Charles Darwin comme timonier et Charlton Heston comme cuisinier.

La simple envie de pousser l’utilisation de son instrument de prédilection et les limites de jeu offerte par ses activités dans des groupes de rock a poussé Orso Samson à se construire ununivers synthétique à base de boucles, samples et séquences.

Le résultat est festif, dansant, entêtant.

Les premiers pas du singe-tambour se sont fait au rythme de reprises de C2C et Cascadeur pour le conduire aujourd’hui à développer un son qui surfe entre Kavinsky, Mr OIzo et Modeselektor.

‘Humain’, premier titre publié sous le pseudo de Scimia, est le déclencheur. Peu à peu, au piano ou à partir de bout de ficelles sonores, le canvas prend forme. Titre après titre, Scimia, ses clips, ses concerts, dessinent un tableau d’ensemble qui préfigurent une fresque joyeuse et un esprit de fête qui commence déjà à susciter des envies de featurings et de remixes. Une histoire à suivre.

SCIMIA – Ep AWE Cd Digital & Cd Physical